Many writers long to quit their day jobs and write fulltime. Sometimes I'm one of them but often I struggle with whether or not this would really suit me and the way I live. I like my job and the security it brings as well as the medical and retirement benefits. To write fulltime right now I'd take a huge paycut that I can't afford.
Even though I like my job it's a demanding one and most of the time when I go home at the end of the day I'm tired and I just want to relax and veg in front of the TV. Not very thought provoking or stimulating but that's the point. I like to get lost in the world of dialogue, character development and plotting techniques from shows that I really enjoy such as Dexter, The Closer, In Plain Sight, Criminal Minds, just to mention a few.
I aslo have a running and yoga workout schedule that I committed to for a variety of reasons. I'm running the Chicago half-marathon in less than two weeks. I ran it for the first time in 2006 - this will be my second half-marathon, having skipped the one last year. The yoga? Well, that's for general and mental health. I made a commitment to yoga for the rest of my life and I'm so glad that I did. I've dabbled in yoga on and off over the years but this time it's as much a part of my day as eating the right foods, taking my vitamins and getting a good sleep at night.
I can't recommend yoga enough for everyone and definitely for writers. I've accomplished more in my writing schedule because yoga is a part of my life. I've learned to stretch myself in more ways than I thought possible - both literally and figuratively.
So where's my commitment to my writing? Believe it or not I do most of my writing these days on the train commuting to and from work. Having grown up and attended college in Los Angeles back in the 1960's and 70's I have to say how wonderful it is to be able to commute by train. Even when some poor fool decides to committ suicide by train and delay us for up to 4 hours, I'm still glad to have the commuter train available.
I get on the train, pop open my laptop, put on my head phones and immerse myself in my writing. When I mention this to folks their immediate response is there isn't enough time to write on a commute that is essentially 40 minutes each way on the train. I disagree. A paragraph here, a page there all adds up and I'm ecstatic with my progress everyday. I do work on my writing at home but that's icing on the cake because at home I'm either vegging out after a long day, running, in yoga class or doing house chores. By compartmentalizing my writing on the train I actually write and achieve so much more.
Those shows I mentioned in the beginning of the blog - watch Dexter on DVD without commercials - it's so much better than what they're airing on the non-cable channels because they had to cut some material to make it more accessible to the network. Dexter is a Showtime program that was licensed to the networks around the time of the writers strike in Hollywood - or so it seems. It's a strong program in terms of writing, character development, plotting, and social commentary. The blood splatter and forensic aspect of it may be a turnoff for some people but I just think this program is outstanding in all the ways mentioned. Kudos to all the writers and people who work on the program.
In the end I try not to let my life prevent me from writing but also I try not to let my writing keep me from enjoying my life. It's nice to have balance although some would say I'm off-balance for enjoying Dexter but then again, I've had a long-time fascination with the Jack The Ripper case. Oops, maybe I've revealed too much!
Showing posts with label train. Show all posts
Showing posts with label train. Show all posts
Tuesday, September 2, 2008
Tuesday, March 25, 2008
Did you hear!
Originally posted on http://sleepingwiththeauthor.blogspot.com/
Hoping to push sales, publishers are starting to allow free downloading of some of their books at the same time that they are published in print - even hardcover. What the heck is going on?
It wasn't that long ago that I was sitting at a luncheon during a writers conference and the keynote speaker was discussing the reluctance on the part of traditional publishers to embrace ebooks. The evidence? Ebook versions of mainstream novels usually cost the same as the hardcover so why would anybody spend $25 on an electronic download when they could get the real deal for the same amount of money? It was clear that publishers were pretending to embrace ebooks while undermining their acceptance. When ebooks didn't sell in numbers that rendered them commercially viable, the mainstream publishers seemed to be saying, "See we told you it wouldn't work!"
Then came the smaller, independent publishers who embraced ebooks with a passion at a time when many in the industry treated ebooks like a dirty word. Elora's Cave stands out as one of the pioneers as does Echelon Press and so many others. Writers everywhere owe these pioneers a tremendous amount of gratitude for hanging in there. Now the mainstream publishers are embracing ebooks with a passion as well - which signals that it's now a money maker.
But why now?
There are lots of reasons but a pivotal one is generational. The newer generations - X, Y, Millennials, Igen, or even Z are so much more comfortable with technology that they almost demand it as the media of choice. They're busy, they're mobile, they're wired and can out multi-task previous generations.
Publishers know that if they are to grow they need to recruit new readers and if they want new readers from these newer generations they have to play on their turf.
A recent interview of a young writer in Japan who has the number one "cell novel" which is not only being read on the cell but she wrote it on her cell. Yes, wrote it on her small little cell phone in bits in pieces - on her lunch breaks, on the train, anywhere she had an inspiration she flipped open her cell phone an started texting. The book was available for free on the internet but then something extraordinary happened. A publisher decided to make a print copy available and even though it was free on the web, it sold millions in a very short period of time.
There are so many ironies here but one is that the technology that main stream publishers have been so afraid of for so long may actually be the very thing that saves them and gives them a future.Take a look at the following article at USAToday and you'll understand what I mean.
http://www.usatoday.com/life/books/news/2008-03-03-free-books-downloads_N.htm
Hoping to push sales, publishers are starting to allow free downloading of some of their books at the same time that they are published in print - even hardcover. What the heck is going on?
It wasn't that long ago that I was sitting at a luncheon during a writers conference and the keynote speaker was discussing the reluctance on the part of traditional publishers to embrace ebooks. The evidence? Ebook versions of mainstream novels usually cost the same as the hardcover so why would anybody spend $25 on an electronic download when they could get the real deal for the same amount of money? It was clear that publishers were pretending to embrace ebooks while undermining their acceptance. When ebooks didn't sell in numbers that rendered them commercially viable, the mainstream publishers seemed to be saying, "See we told you it wouldn't work!"
Then came the smaller, independent publishers who embraced ebooks with a passion at a time when many in the industry treated ebooks like a dirty word. Elora's Cave stands out as one of the pioneers as does Echelon Press and so many others. Writers everywhere owe these pioneers a tremendous amount of gratitude for hanging in there. Now the mainstream publishers are embracing ebooks with a passion as well - which signals that it's now a money maker.
But why now?
There are lots of reasons but a pivotal one is generational. The newer generations - X, Y, Millennials, Igen, or even Z are so much more comfortable with technology that they almost demand it as the media of choice. They're busy, they're mobile, they're wired and can out multi-task previous generations.
Publishers know that if they are to grow they need to recruit new readers and if they want new readers from these newer generations they have to play on their turf.
A recent interview of a young writer in Japan who has the number one "cell novel" which is not only being read on the cell but she wrote it on her cell. Yes, wrote it on her small little cell phone in bits in pieces - on her lunch breaks, on the train, anywhere she had an inspiration she flipped open her cell phone an started texting. The book was available for free on the internet but then something extraordinary happened. A publisher decided to make a print copy available and even though it was free on the web, it sold millions in a very short period of time.
There are so many ironies here but one is that the technology that main stream publishers have been so afraid of for so long may actually be the very thing that saves them and gives them a future.Take a look at the following article at USAToday and you'll understand what I mean.
http://www.usatoday.com/life/books/news/2008-03-03-free-books-downloads_N.htm
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