I write romantic mysteries for a niche market, my stories deal with art, travel, a bit of mayhem and romance. I might preface that with-I love art and I love to travel-and have been fortunate to be able to do so. The old adage write what you know and love is true.
When I started writing, I knew my novel would be set in Paris. In my youth, I lived there for a year, and have since gone back a few times. It stood to reason that my first romance should be set there. I’m familiar with the city, and over the years from my perspective, little has changed in the City of Light. The Louvre now has Pei’s Pyramid at the entrance, a few buildings have been added, but the age old charm, the cobblestones, the meandering streets, the essence and soul are still very much there.
The first time I visited Bath, England, many years ago, I said I must come back, and I did. My second book is set there. My third hotel book, is set in magical and mysterious Venice. All three cities are unique and romantic places.
My heroine is an artist, and through her eyes, I introduce my readers to my favorite artists, allow her to live in exciting places, give her mysteries to solve, and someone to love. The best of all worlds.
For me it is essential to visit the place I write about, get a sense of the culture, the everyday, mundane activities that make up our lives. The magical moment of sitting in a cafe, sipping an espresso, and watching people go by. An image is created that will allow a glimpse of that perfect intimate moment. A sculpture in a garden described so well that the reader can almost reach out and touch a sinew, that is the wonder of the written word.
Rodin has always set my pulse racing, his work is strong, exuberant, poignant to the point of agony, and sometimes even mischievous. I tried to bring that sense of joy and discovery to my hero in A Hotel in Paris, and hopefully to my readers. I find solace in art, for me it’s therapeutic. You don’t have to be an art scholar to enjoy it, it’s everywhere we turn, it surrounds us, all we have to do is take note.
Imagine tea at the Pump Room in Bath, and that first sip of the heavily scented Earl Grey tea, you take a deep whiff to savor the smell of the bergamot oil, take a bite of that a fresh scone still warm, loaded with clotted cream and strawberry preserves-except that I skip the cream and go directly for the jam, lots of jam. Those are all real memories that will enrich a story.
Visit a restaurant that has been in business since the early 1600s, watch out as you step down on the crooked stairs and touch the warped wall, coated with gobs of thick paint as you continue your descent that doesn’t seem to end, and then you gingerly sit down in a rickety old chair and hope you won’t be sitting on the ancient brick floor instead.
From the Rodin Museum in Paris, to the Pump Room in Bath, to the dark and narrow canals in Venice, where the water mysteriously shimmers in the moonlit night. It’s all there. Familiarity with a location makes it easier to write about, it makes it come alive.
Even though I write contemporary romance mysteries, I love history and art, and that is what I write about. It goes back to the beginning, write what you know and love.
A Hotel in Paris
A Hotel in Bath
A Hotel in Venice
A Fire Within