I'll apologize in advance for the brevity of this post, but I'm feeling a bit under-the-weather today, so I've curled up on the couch with a good book. I chose "According to Jane" by Marilyn Brant (a friend and fellow Chicago-Norther).
So far I'm about 100 pages in, and I'm hooked. Marilyn has spun a marvelous tale of a young woman's journey to find love. I highly recommend picking it up for yourself.
For more about the book and Marilyn herself, visit her website at www.marilynbrant.comUntil next time,
Happy reading!
Debra
www.debrastjohnromance.com
Sunday, November 8, 2009
Saturday, November 7, 2009
The Palace by Margot Justes
My fascination with ruins is relatively recent. My first trip to Athens a few years ago got me started. Age may have something to do with it, I look at history with a bit more depth now and ruins are the ultimate show and tell in history, at least for me.You can see how a society lived, the order that existed and your imagination takes root at the endless possibilities. I wonder if I’m stepping where a scholar stepped, walk the path of a Roman Soldier, an Emperor, the possibilities of historical footsteps are endless, and as a writer that appeals to me.
Diocletian’s Roman Palace is just such a place, filled with history, well preserved, just simply magnificent. His retirement home was built near the place of his birth, Salona close to Split and was ready for his occupation in 305 AD.
It is massive, a fortress as well as a palace originally with entrances on three sides, two on land, one from the sea. Incredibly well preserved and to this day it blends in with centuries of various architectural styles, and the best part, it is woven in with the contemporary life style. People live and work in this gigantic remnant, this incredible relic of ancient Rome.
We were given an impromptu concert-for lack of a better description-in a rotunda, its top long gone, but the sound of the voices echoed thought out and rose to the heavens, poignant Croatian folk songs stirred the emotions of the people standing and listening enthralled to the angelic voices. A memory never to be forgotten.
I'll be in Galena tomorrow signing A Hotel in Paris, at Book World in case anyone is in the area, please stop by and say hello. And the CBRNE threat presentation is posted on my website.
Till next time,
Margot Justes
http://margotsmuse.blogspot.com
http://www.mjustes.com/
A Hotel in Paris ISBN 978-1-59080-534-3
Till next time,
Margot Justes
http://margotsmuse.blogspot.com
http://www.mjustes.com/
A Hotel in Paris ISBN 978-1-59080-534-3
Friday, November 6, 2009
Raising the Dead Manuscript from Its Grave: Part 1 by Robert W. Walker
I published myself after a lifetime of eschewing any sort of vanity press. And I did it using a “dead” manuscript about a “dead” subject filled with “dead” historical characters in a “dead” time period which one editor, a true pro, said of: “It is the hardest time period to write about, to make come alive, and especially to display any sort of sexual encounter, but in your hands Rob, if anyone can pull it off, it’s you.” That sort of trust and confidence in my writing and even rejection letters laced with lovely and positive remarks has kept me going back and back to the grave to unearth this dead manuscript. Rejected hundreds of times and stowed away off and on for some thirty years or more. I had every reason to lower it into the ground of my past writing attempts and leave it buried and chalk it up to part of that large graveyard of previous work that stays in the grave but represents lessons learned, craft-building, and I am a firm believer that book X could not have come into being as it is had I not failed on book Y from which I learned so much of what to do and what not to do.
Recently as July I began putting up ebooks on the paperless bookstore called Kindle (for the Kindle reader) and I put up a number of out of print titles, and a book of short stories, and a how-to book that is doing well there, and then I decided to place up an original never before seen anywhere else title – Children of Salem, one of my books that had been buried by a stack of rejections so heavy as to be used as the headstone.
Why put it up on Kindle, a book rejected by EVERY New York publishing house twice over in various permutations? A book turned down in fact by any and all publishers, editors, and agents who ever took a look. Was I just being arrogant and publishing the work out of anger or angst or what? No frustration is the word. Fed up with traditional publishers who could not SEE the possibilities of this novel, a novel I had kept faith in for over thirty years, with agents who loved it but couldn’t sell it…with editors who could not turn it down without writing personal notes about how it affected them, etc., etc., I saw the new technology as a godsend for Children of Salem and decided to take the bull by the horns and put it out there. My risk? Only my reputation.
Maybe all those people who had rejected the novel were right, but I didn’t think so and I trust that readers will agree with me, and at least one has! One who has given it a Five-Star review on amazon.com now finally. It feels freeing and great to have taken control and vanity or not, whatever you call digital publishing, for me it was and is VINDICATION as Children of Salem is outselling all my other ebooks save my how-to (Dead On Writing). To see the review and the fantastic cover art my son, Stephen, designed for Children of Salem you need only click here:
http://www.amazon.com/New-Title-CHILDREN-Romance-Trials/dp/B002GU6LIC/ref=sr_1_1?ie=UTF8&s=books&qid=1257400408&sr=1-1
http://www.robertwalkerbooks.com/
I kid you not, I never give up on a novel idea once I have determined it is a worthwhile project, worthy of my time, energy, blood, sweat, and rewrites. This goes for this manuscript that may even be thirty years old, rewritten countless times, given the “drawer” countless times, but never thrown into the flames or fed to the landfill. Is this a good or a bad thing? I suppose it depends on the idea and the execution of the novel, the crafty crafting of the craft.
I bring this up because my Children of Salem, which for decades went by the title of Bloodroot, and I tenaciously held onto the title until I changed my attitude toward the novel. Bloodroot as a title for me was a double entendre: poisonous nightshade or bloodroot posed the idea of a poison in the blood of Puritanism, and it held the image of a rooting in the old world, a poisonous idea that followed mankind on the ships that led us to America and the Bay Colony of Massachusetts.
The title simply felt like a good fit, and the novel was a serious, heavily-heavily researched and layered tale of the Salem Witchcraft episode as it was never portrayed before—a unique look at the economics, the politics, the theology of witchcraft, as well as the geography and history and sociology of the belief and use of that belief during an election year to condemn and thus win reelection. I saw so many connections to modern life in what happened to “us” in 1692.
I can’t count on two hands the number of editors and agents who turned the manuscript down with the proviso that it was a great book “But I can’t sell it.” So it was stashed away again and again, trotted out every couple-few years and rewritten again and given its chance with a new agent or another editor only to chalk up more rejections than Babe Ruth strike outs. But always with the warmly worded, “I can’t get the scenes out of my mind and I loved the book BUT I can’t sell it.”
Again to the bottom drawer, literally. It fit no “commercial” needs or cubby holes, no pigeon holes and no category. It was historical but scary as in real—reality-based terror in which neighbor hangs neighbor but it was also a sociological tract that shed a light on human activity that points a finger at us all. No one was safe and everyone was guilty, and even our hero, Jere Wakely, had unspoken issues that only helped to fan the flames; and it was a condemnation of church and state in bed together, and it was multiple point of view, and somewhere in there a romance was at work….
Little wonder it has always been a hard sell; loved ones considered my angst with this novel as simple—the book had a curse on it, and it had control of me, and it would never give me my freedom. It was a deep well and I was its ghost with chains upon my feet. Loved ones confused my passion with obsession, and at times I too decided it was all a cursed foul matter that I should burn in the nearest roaring fire. Instead I would pull on something within me that insisted this story could be reshaped to get something other than a wonderfully kindly gently worded rejection.
I intend to carry on this discussion NEXT FRIDAY here at Acme so do return. There is a great well of resolve required to have faith in your own work for as many years as I held this belief for my Salem Opus. And so this blog needs be split. Hope to see you back here then and in the meantime do leave me a comment as we make it soooooo easy to leave a comment here.
Rob
http://www.robertwalkerbooks.com/
Recently as July I began putting up ebooks on the paperless bookstore called Kindle (for the Kindle reader) and I put up a number of out of print titles, and a book of short stories, and a how-to book that is doing well there, and then I decided to place up an original never before seen anywhere else title – Children of Salem, one of my books that had been buried by a stack of rejections so heavy as to be used as the headstone.
Why put it up on Kindle, a book rejected by EVERY New York publishing house twice over in various permutations? A book turned down in fact by any and all publishers, editors, and agents who ever took a look. Was I just being arrogant and publishing the work out of anger or angst or what? No frustration is the word. Fed up with traditional publishers who could not SEE the possibilities of this novel, a novel I had kept faith in for over thirty years, with agents who loved it but couldn’t sell it…with editors who could not turn it down without writing personal notes about how it affected them, etc., etc., I saw the new technology as a godsend for Children of Salem and decided to take the bull by the horns and put it out there. My risk? Only my reputation.
Maybe all those people who had rejected the novel were right, but I didn’t think so and I trust that readers will agree with me, and at least one has! One who has given it a Five-Star review on amazon.com now finally. It feels freeing and great to have taken control and vanity or not, whatever you call digital publishing, for me it was and is VINDICATION as Children of Salem is outselling all my other ebooks save my how-to (Dead On Writing). To see the review and the fantastic cover art my son, Stephen, designed for Children of Salem you need only click here:
http://www.amazon.com/New-Title-CHILDREN-Romance-Trials/dp/B002GU6LIC/ref=sr_1_1?ie=UTF8&s=books&qid=1257400408&sr=1-1
http://www.robertwalkerbooks.com/
I kid you not, I never give up on a novel idea once I have determined it is a worthwhile project, worthy of my time, energy, blood, sweat, and rewrites. This goes for this manuscript that may even be thirty years old, rewritten countless times, given the “drawer” countless times, but never thrown into the flames or fed to the landfill. Is this a good or a bad thing? I suppose it depends on the idea and the execution of the novel, the crafty crafting of the craft.
I bring this up because my Children of Salem, which for decades went by the title of Bloodroot, and I tenaciously held onto the title until I changed my attitude toward the novel. Bloodroot as a title for me was a double entendre: poisonous nightshade or bloodroot posed the idea of a poison in the blood of Puritanism, and it held the image of a rooting in the old world, a poisonous idea that followed mankind on the ships that led us to America and the Bay Colony of Massachusetts.
The title simply felt like a good fit, and the novel was a serious, heavily-heavily researched and layered tale of the Salem Witchcraft episode as it was never portrayed before—a unique look at the economics, the politics, the theology of witchcraft, as well as the geography and history and sociology of the belief and use of that belief during an election year to condemn and thus win reelection. I saw so many connections to modern life in what happened to “us” in 1692.
I can’t count on two hands the number of editors and agents who turned the manuscript down with the proviso that it was a great book “But I can’t sell it.” So it was stashed away again and again, trotted out every couple-few years and rewritten again and given its chance with a new agent or another editor only to chalk up more rejections than Babe Ruth strike outs. But always with the warmly worded, “I can’t get the scenes out of my mind and I loved the book BUT I can’t sell it.”
Again to the bottom drawer, literally. It fit no “commercial” needs or cubby holes, no pigeon holes and no category. It was historical but scary as in real—reality-based terror in which neighbor hangs neighbor but it was also a sociological tract that shed a light on human activity that points a finger at us all. No one was safe and everyone was guilty, and even our hero, Jere Wakely, had unspoken issues that only helped to fan the flames; and it was a condemnation of church and state in bed together, and it was multiple point of view, and somewhere in there a romance was at work….
Little wonder it has always been a hard sell; loved ones considered my angst with this novel as simple—the book had a curse on it, and it had control of me, and it would never give me my freedom. It was a deep well and I was its ghost with chains upon my feet. Loved ones confused my passion with obsession, and at times I too decided it was all a cursed foul matter that I should burn in the nearest roaring fire. Instead I would pull on something within me that insisted this story could be reshaped to get something other than a wonderfully kindly gently worded rejection.
I intend to carry on this discussion NEXT FRIDAY here at Acme so do return. There is a great well of resolve required to have faith in your own work for as many years as I held this belief for my Salem Opus. And so this blog needs be split. Hope to see you back here then and in the meantime do leave me a comment as we make it soooooo easy to leave a comment here.
Rob
http://www.robertwalkerbooks.com/
Thursday, November 5, 2009
Windy City Authors & Local Libraries! by DL Larson
Good golly, I love libraries! Look at all this free publicity for the local authors of Illinois who belong to the WindyCity RWA Chapter! The displays have been going on for several weeks in the branch libraries in the Naperville area: 95th Street, Nicols, and Naper Boulevard. I believe the displays will be up for a little longer, so if you get the chance, check them out!
The timing on these displays couldn't come at a better time for me. Just when I'm thinking I'm standing at a crossroads and getting nowhere, some kind souls do this and there my books are standing face out for all to see! There are so many great writers in the WindyCity chapter and I'm proud to be a part of them, glad my books belong with this family of authors.
I'm a great believer in asking for and receiving signs. I know we're not supposed to talk religion on this blog, but I want to share with you what happened recently. I've been asking the good Lord to give me a sign if I'm on the right path, with my life and with my writing. Imagine the pestering child pulling on mama's skirt while she's doing a dozen other things that HAVE got to get done. But I persist; I'm a stubborn child.
I get my answer, not in words, but through action. A RWA friend sent me nine pictures of the WindyCity Author displays. I don't go to Naperville very often so seeing these pictures is the closest I will get to being there. I'm thrilled! My books are right there in the thick of things. But it doesn't stop there.
Two days ago I had a few free moments to chat with my fellow librarians between our preschool visits to the library. We were chatting at the circulation desk when a lady stepped off the elevator and approached us. "I've been looking for you," she said to me. "Would you autograph these for me?" She had two sets of my books, Memories Trail and Promises To Keep. She'd purchased them through Amazon.com. She had the urge to do some Christmas shopping and decided on books. My books.
I didn't know this lady, but somewhere she heard about me. It's been two years since my last book was published, so my books aren't in many stores, and I have to admit I haven't been pushing them like I did awhile ago.
Some might call this coincidence and that's okay. I like to believe it's an answer to a question. All this happened at the right time for me. I simply needed a little nudge to remind me, yes, I'm right where I'm supposed to be, and yes, struggling is part of being an author. If only I could remember that!!!
Til next time ~
DL Larson
Tuesday, November 3, 2009
A conference is like a garage sale by Morgan Mandel
A conference is like a garage sale. I never know what I'll discover, but I usually can find something I like to take home with me. Among my take home items, of course, are books, some of them free. Those are just the tangible goodies.
With June's mention of Spring Fling 2010 coming in April, I remember back to my first conference, Of Dark and Stormy Nights, sponsored by the Mystery Writers of America. I read about its existence in a magazine and decided to try it out. There I met many fascinating mystery writers, made friends, and learned much about writing from their panels and speeches. What impressed me was the fact that many others were like me in the same boat, striving to get published. There were also others who had made it to the promised land of publication and were happy to share their experiences.
That was quite a while back. Since then, I've been to Bouchercon, the National RWA conference, Love is Murder, and Spring Fling, to name a few conferences. Each held something unique for me to remember. I got my first contract at Love is Murder one year and had Two Wrongs published, which led to the next contract for Girl of My Dreams. Another year I got my inspiration to self-publish. The result is my recent release, Killer Career.
In April, I'll be going to another Spring Fling conference. I don't know what I'll take back this time, but I'm sure to find something great. For info. on this conference to be held April 23 and 24 at the Hyatt in Deerfield, IL, click onto: http://www.chicagospringfling.com/
What about you? Have you been to any conferences? If so, what do you like about them? Or, maybe you're thinking of trying one. Which one?
With June's mention of Spring Fling 2010 coming in April, I remember back to my first conference, Of Dark and Stormy Nights, sponsored by the Mystery Writers of America. I read about its existence in a magazine and decided to try it out. There I met many fascinating mystery writers, made friends, and learned much about writing from their panels and speeches. What impressed me was the fact that many others were like me in the same boat, striving to get published. There were also others who had made it to the promised land of publication and were happy to share their experiences.
That was quite a while back. Since then, I've been to Bouchercon, the National RWA conference, Love is Murder, and Spring Fling, to name a few conferences. Each held something unique for me to remember. I got my first contract at Love is Murder one year and had Two Wrongs published, which led to the next contract for Girl of My Dreams. Another year I got my inspiration to self-publish. The result is my recent release, Killer Career.
In April, I'll be going to another Spring Fling conference. I don't know what I'll take back this time, but I'm sure to find something great. For info. on this conference to be held April 23 and 24 at the Hyatt in Deerfield, IL, click onto: http://www.chicagospringfling.com/
What about you? Have you been to any conferences? If so, what do you like about them? Or, maybe you're thinking of trying one. Which one?
Monday, November 2, 2009
Registration Is Open! by June Sproat
That would be for Spring Fling 2010 sponsored by Chicago-North RWA.
Dates: April 23-24, 2010
Dates: April 23-24, 2010
Location: Hyatt, Deerfield, IL
Headliners and Keynote speakers: Cherry Adair and Julia Quinn
The conference will feature workshops led by our headliners, Julia Quinn and Cherry Adair as well as authors Jenna Petersen, Elizabeth Hoyt, Jade Lee, Courtney Milan, and Sarah Wendell from Smart Bitches, Trashy Books and many others.
Pitch appointments will be available with guest Editors: Amanda Bergeron (Avon), Lindsey Faber (Samhain) and Kat O'Shea (Leap Books & The Wild Rose Press) or Agents: Diana Fox, Laurie McLean, Joanna Stampfel-Volpe, and Paige Wheeler.
Check the website: http://www.chicagospringfling.com/ for more information and to register.
Hope to see you there!
June
www.junesproat.com
Sunday, November 1, 2009
Raking Leaves
One of the most beautiful parts of fall is the colorful leaves on the trees. The world seems to glow with their deep infusion of reds, golds, yellows, and oranges. They even look beautiful when they cover the ground, blanketing the earth with their vibrant quilt.
Eventually, of course, they need to be raked. I don't really mind this task. Bundling up against the slight chill in the air with the promise of hot apple cider afterwards is a cozy prospect. You don't really need to think about what you're doing, so your mind can wander and think and create. And it's one of those tasks that lets you really see what you've accomplished. Where leaves once covered the lawn, after an hour or so green grass is visible.
But then comes the morning. Overnight the trees have once again shed their colorful coats and leaves dot the ground. By the end of the next day, the grass is blanketed. Time to rake again. This process continues for several weeks. However in time, all of the leaves will have fallen and this task really will be done for the year. Then it's time to look forward to the joys of snow shoveling.
It struck me how raking leaves is much like editing. For me editing is a fun process, a time to really dive into what I've written and clean it up. A page once covered with mistakes and weak verbage becomes clean and strong, using just the right turn of phrase. Of course the next time I look at that very same perfectly written page, I find things I want to change again. And the process goes on. At some point all of the editing is finished, and I send it off to my editor with the delightful task of approving my galley. And then I get to look forward to creating a new story, with new characters and plots, which will some day circle around and be ready for the editing process once again.
I love the change of seasons and the tasks that go with them here in the Midwest, just as I love the tasks that occur is each and every step of the writing process. What a glorious world we live in.
Until next time,
Happy Reading!
Debra
www.debrastjohnromance.com
Eventually, of course, they need to be raked. I don't really mind this task. Bundling up against the slight chill in the air with the promise of hot apple cider afterwards is a cozy prospect. You don't really need to think about what you're doing, so your mind can wander and think and create. And it's one of those tasks that lets you really see what you've accomplished. Where leaves once covered the lawn, after an hour or so green grass is visible.
But then comes the morning. Overnight the trees have once again shed their colorful coats and leaves dot the ground. By the end of the next day, the grass is blanketed. Time to rake again. This process continues for several weeks. However in time, all of the leaves will have fallen and this task really will be done for the year. Then it's time to look forward to the joys of snow shoveling.
It struck me how raking leaves is much like editing. For me editing is a fun process, a time to really dive into what I've written and clean it up. A page once covered with mistakes and weak verbage becomes clean and strong, using just the right turn of phrase. Of course the next time I look at that very same perfectly written page, I find things I want to change again. And the process goes on. At some point all of the editing is finished, and I send it off to my editor with the delightful task of approving my galley. And then I get to look forward to creating a new story, with new characters and plots, which will some day circle around and be ready for the editing process once again.
I love the change of seasons and the tasks that go with them here in the Midwest, just as I love the tasks that occur is each and every step of the writing process. What a glorious world we live in.
Until next time,
Happy Reading!
Debra
www.debrastjohnromance.com
Subscribe to:
Posts (Atom)